FABBIAN proudly presents DROP-0 for Euroluce 2025 at Salone del Mobile in Milan, a capsule collection under the creative direction of Alberto Biagetti, aimed at redefining the role of lighting in contemporary living spaces. The collection introduces exclusive content and a distinctive idea of space with an extraordinary approach, merging technological innovation and Italy’s rich tradition of glass craftsmanship.
THE DESIGNERS
With this project, FABBIAN brings together five internationally renowned designers, including Robert Stadler, Kazuyo Sejima, Estudio Campana, 2050+, and Atelier Biagetti, each offering a unique interpretation of light as a central and transformative element in contemporary environments.
LIGHTING AS THE PROTAGONIST OF CONTEMPORARY SPACES
DROP-0 represents an ambitious new challenge for FABBIAN, seamlessly integrating advanced technology with the company’s glassmaking heritage—an essential part of its DNA. This collection marks a significant transformation for the brand, merging design and research through collaborations with some of the most influential figures in international contemporary design and architecture field. The versatility of DROP-0 allows its pieces to transcend traditional categories—their adaptability makes them ideal for hospitality, office, and contract spaces, while also perfectly suited for home interiors. The result is a collection where light becomes the protagonist, shaping and enriching contemporary environments with meaning, atmosphere, and innovation.
BRIDGING NATURE, TECHNOLOGY, AND SPACE
Estudio Campana (São Paulo) present the Brotas lamp merges glass and natural branches, reflecting the hybrid language that defines Campana’s work. The piece draws on Humberto Campana’s childhood memories of Brotas, the town in São Paulo where he grew up. As a child, he spent hours climbing trees, observing the shifting play of light and shadow through the branches. Brotas captures this emotional connection to nature, translating the poetry of those moments into a design that evokes both memory and transformation.
Kazuyo Sejima (Tokyo) presents “Form of Reflection”, a sculptural exploration of transparency, reflection, and fluid form. Composed of three unique assemblies of glass spheres, the piece captures the interplay of light and shadow. The spheres, organically clustered in seemingly random compositions, create a delicate yet dynamic presence, shifting perceptions of depth and space. Each formation responds to its environment, distorting and multiplying the light that passes through it.
Robert Stadler (Paris) introduces Posillipo is a lighting system that tricks the eye of the beholder, as the electrical cables appear to be the same as the horizontal spacers. This forms a homogeneous grid that challenges the traditional idea of a pendant light. The system can therefore be seamlessly extended in either direction to create both individual luminaires and large scale lighting installations.
2050+ (Milan) introduces Intimate Strangers, a lamp made of ambiguous, unclassifiable elements: industrial fragments transformed into light. Nomadic and universal, it fits any setting – from a bedside table to a rock, indoors or outdoors. Raw and technical, yet able to embrace unexpected softness, it reflects a techno-aesthetic performance that speaks of a world in constant transformation.
Atelier Biagetti presents Santo an alphabet where material, light, and form come together to create endlessly varied compositions—some precise and defined, others more sculptural and expressive. Light flows like a liquid, moving from metal to blown glass, shifting in color and softening the boundaries between surfaces. Santo is also a playful system: by simply adding a component, the light can be directed as desired or left to drift freely through space.